This is our finished album cover digipack - the version that has been sent off to the printers. We're happy with how it looks and feels it represents the artist well as a debut album cover. The front cover will engage with with the audience and grab attention from those that wouldn't normally buy her album and I particularly like the inside panels where the two panels are one image.
Wednesday, November 24, 2010
Monday, November 22, 2010
Website
Despina and I have done a lot of work on the website recently and it is near enough ready to be signed off. After looking at a lot of industry websites like those of Pixie Lott and Lily Allen, we realised that the nearly every artist has their album advertised on the front page of the website before you enter the navigation page. We've attempted to create the same sort of page for the home page and also have a lot of the pages done already.
We're using wix.com to create our artist website on
Our first page advertising our album
Pixie Lott's first page advertising her album
Our artists home page
The banner with our page titles
The picture we've used for the background on every page
Friday, November 19, 2010
Album Cover Shots
We've had two photoshoots with Liv in the Seward Studio and have got some good photos for our ancillary texts - the album cover and website.
These are the photos we've decided to use for our album cover;
This picture is an establishing shot of our artist - it has a direct address to the audience and is instantly eye grabbing. This photo is being used as the front cover for our album as when it is on the shelves it will grab audience attention. The shot is slightly sexual as she is biting her necklace and half her face is covered by her hair suggesting promiscuity - this will attract males. As this is the artists debut album, it is important that her identity it established and she will be recognisable to her audience in future, and this shot achieves that.
This is the shot we have decided to use for the inside cover of the album. I had the idea that we could use one wide shot for both inside panels as it goes against conventions of using the two panels individually with separate shots. This image will be split in two, with Lexi on one side and her shadow on the other - we also had the idea to use the image of the bird that is on her jumper as a visual motif for the artist. To achieve synergy and establish this as her motif, we are probably going to use a silhouette of the bird on the right hand side next to her shadow, as if the bird is flying off.
This is the image we've decided to have on the back cover of the album. It is a mid-shot of Lexi and is not a direct address to the audience. The artist is looking to the side and on the album this is where the track listing will be. We thought this was a quirky idea for the back cover as if she is looking at her tracks. The visual motif of the bird is continued on the back as she is wearing the same jumper.
These are the photos we've decided to use for our album cover;
This picture is an establishing shot of our artist - it has a direct address to the audience and is instantly eye grabbing. This photo is being used as the front cover for our album as when it is on the shelves it will grab audience attention. The shot is slightly sexual as she is biting her necklace and half her face is covered by her hair suggesting promiscuity - this will attract males. As this is the artists debut album, it is important that her identity it established and she will be recognisable to her audience in future, and this shot achieves that.
This is the shot we have decided to use for the inside cover of the album. I had the idea that we could use one wide shot for both inside panels as it goes against conventions of using the two panels individually with separate shots. This image will be split in two, with Lexi on one side and her shadow on the other - we also had the idea to use the image of the bird that is on her jumper as a visual motif for the artist. To achieve synergy and establish this as her motif, we are probably going to use a silhouette of the bird on the right hand side next to her shadow, as if the bird is flying off.
This is the image we've decided to have on the back cover of the album. It is a mid-shot of Lexi and is not a direct address to the audience. The artist is looking to the side and on the album this is where the track listing will be. We thought this was a quirky idea for the back cover as if she is looking at her tracks. The visual motif of the bird is continued on the back as she is wearing the same jumper.
Thursday, November 18, 2010
Photoshoots
We've now had two photoshoots and got a lot of good shots. I'm now confident that we have enough photos for both ancillary texts - the album cover and website. The shots we don't use can be used on a photo page on the website so anything good we have is benefitial to us. We have had a few problems - on the first shoot some of our photos mysteriously went missing - but overall the photoshoots have been a success.
Setting up the photoshoot in the Seward studio
The shots of Liv that can be used for ancillary texts
Wednesday, November 17, 2010
Group Progress
At this stage of the project it is vital that we get all aspects finished and perfected and as we are under time restraints, in order to reach our deadline, we decided that it would be best if we split up the tasks. Anisah is working on the album cover, Despina and Joe are working on perfecting the final edit of the video and I am working on the website.
Tuesday, November 16, 2010
Editing
As we have finished filming all the footage we need, we are now putting together a final edit. The group is working on this together and we are all learning new skills. Some of the editing techniques we've learnt working on this project are;
Reversing footage so it plays backwards
IMAGE
As the main concept of our video is the reverse theme, it is important that we learned how to reverse footage properly. In some of the clips the footage in reverse looks a little strange so it needed to be sped up to stop it looking boring and out of place. Everyone knows how to do this and we are all making sure each group member gets a chance to try reversing footage.
Colour correction so each shot looks sharp
IMAGE
As we are not professionals using industry equipment, most of our shots are not well contrasted and look different to the rest. This is particularly evident in the lip sync shots from Neal's Yard where each shot has a different colour wall behind it. Our new technician Chris has taught us how to colour correct and contrast each shot properly so the video all fits together and has a glossy feel to it.
Editing the shots so everything is in time
IMAGE
As we are creating a music video, timing is essential. Because music videos do not follow the typical conventions of film (180 degree rule, continuity etc.) it is very important that the timing of the video is perfect. From our rough cut, we established that we were editing our footage so that shots were too long and drawn out which made it boring for the viewer and feedback from our audience confirmed this. To avoid this problem we are now editing the footage so that it cuts to the beat - this makes the video a lot more lively and fast paced which keeps the audiences attention and is much more suited to our genre.
Editing the lip sync shots so the artist sings in time
IMAGE
It is crucial that the lip syncing shots included in our video are edited so the artist sings in time with the lyrics - even if the footage is one frame out it is immediately noticable and reduces the standard of the video. It is a tedious job to make sure that every shot is in time to the lyrics and we are having to go through frame by frame to make sure it is perfect, but it will be worth it once we see the end product.
Reversing footage so it plays backwards
IMAGE
As the main concept of our video is the reverse theme, it is important that we learned how to reverse footage properly. In some of the clips the footage in reverse looks a little strange so it needed to be sped up to stop it looking boring and out of place. Everyone knows how to do this and we are all making sure each group member gets a chance to try reversing footage.
Colour correction so each shot looks sharp
IMAGE
As we are not professionals using industry equipment, most of our shots are not well contrasted and look different to the rest. This is particularly evident in the lip sync shots from Neal's Yard where each shot has a different colour wall behind it. Our new technician Chris has taught us how to colour correct and contrast each shot properly so the video all fits together and has a glossy feel to it.
Editing the shots so everything is in time
IMAGE
As we are creating a music video, timing is essential. Because music videos do not follow the typical conventions of film (180 degree rule, continuity etc.) it is very important that the timing of the video is perfect. From our rough cut, we established that we were editing our footage so that shots were too long and drawn out which made it boring for the viewer and feedback from our audience confirmed this. To avoid this problem we are now editing the footage so that it cuts to the beat - this makes the video a lot more lively and fast paced which keeps the audiences attention and is much more suited to our genre.
Editing the lip sync shots so the artist sings in time
IMAGE
It is crucial that the lip syncing shots included in our video are edited so the artist sings in time with the lyrics - even if the footage is one frame out it is immediately noticable and reduces the standard of the video. It is a tedious job to make sure that every shot is in time to the lyrics and we are having to go through frame by frame to make sure it is perfect, but it will be worth it once we see the end product.
Saturday, November 13, 2010
Final Shoot
Thankfully the weather was good enough this weekend for us to have our final shoot. We got a lot of good shots for the walking montage and the day was really successful. We used a courtyard called 'Neals Yard' for all of the lip syncing shots - it had different coloured walls and looked really good on camera. We also used Covent Garden as a setting which helped to capture traditional London which is what we wanted. I was really happy that we managed to shoot outside as I really wasn't keen on changing the concept of our video.
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